Page 156 of 171

Edmund White on writing, incest, life and Larry Kramer

Thursday, November 8, 2007

What you are about to read is an American life as lived by renowned author Edmund White. His life has been a crossroads, the fulcrum of high-brow Classicism and low-brow Brett Easton Ellisism. It is not for the faint. He has been the toast of the literary elite in New York, London and Paris, befriending artistic luminaries such as Salman Rushdie and Sir Ian McKellen while writing about a family where he was jealous his sister was having sex with his father as he fought off his mother’s amorous pursuit.

The fact is, Edmund White exists. His life exists. To the casual reader, they may find it disquieting that someone like his father existed in 1950’s America and that White’s work is the progeny of his intimate effort to understand his own experience.

Wikinews reporter David Shankbone understood that an interview with Edmund White, who is professor of creative writing at Princeton University, who wrote the seminal biography of Jean Genet, and who no longer can keep track of how many sex partners he has encountered, meant nothing would be off limits. Nothing was. Late in the interview they were joined by his partner Michael Caroll, who discussed White’s enduring feud with influential writer and activist Larry Kramer.

Retrieved from “https://en.wikinews.org/w/index.php?title=Edmund_White_on_writing,_incest,_life_and_Larry_Kramer&oldid=4520289”

Bat for Lashes plays the Bowery Ballroom: an Interview with Natasha Khan

Friday, September 28, 2007

Bat for Lashes is the doppelgänger band ego of one of the leading millennial lights in British music, Natasha Khan. Caroline Weeks, Abi Fry and Lizzy Carey comprise the aurora borealis that backs this haunting, shimmering zither and glockenspiel peacock, and the only complaint coming from the audience at the Bowery Ballroom last Tuesday was that they could not camp out all night underneath these celestial bodies.

We live in the age of the lazy tendency to categorize the work of one artist against another, and Khan has had endless exultations as the next Björk and Kate Bush; Sixousie Sioux, Stevie Nicks, Sinead O’Connor, the list goes on until it is almost meaningless as comparison does little justice to the sound and vision of the band. “I think Bat For Lashes are beyond a trend or fashion band,” said Jefferson Hack, publisher of Dazed & Confused magazine. “[Khan] has an ancient power…she is in part shamanic.” She describes her aesthetic as “powerful women with a cosmic edge” as seen in Jane Birkin, Nico and Cleopatra. And these women are being heard. “I love the harpsichord and the sexual ghost voices and bowed saws,” said Radiohead‘s Thom Yorke of the track Horse and I. “This song seems to come from the world of Grimm’s fairytales.”

Bat’s debut album, Fur And Gold, was nominated for the 2007 Mercury Prize, and they were seen as the dark horse favorite until it was announced Klaxons had won. Even Ladbrokes, the largest gambling company in the United Kingdom, had put their money on Bat for Lashes. “It was a surprise that Klaxons won,” said Khan, “but I think everyone up for the award is brilliant and would have deserved to win.”

Natasha recently spoke with David Shankbone about art, transvestism and drug use in the music business.


DS: Do you have any favorite books?

NK: [Laughs] I’m not the best about finishing books. What I usually do is I will get into a book for a period of time, and then I will dip into it and get the inspiration and transformation in my mind that I need, and then put it away and come back to it. But I have a select rotation of cool books, like Women Who Run With the Wolves by Clarissa Pinkola Estés and Little Birds by Anaïs Nin. Recently, Catching the Big Fish by David Lynch.

DS: Lynch just came out with a movie last year called Inland Empire. I interviewed John Vanderslice last night at the Bowery Ballroom and he raved about it!

NK: I haven’t seen it yet!

DS: Do you notice a difference between playing in front of British and American audiences?

NK: The U.S. audiences are much more full of expression and noises and jubilation. They are like, “Welcome to New York, Baby!” “You’re Awesome!” and stuff like that. Whereas in England they tend to be a lot more reserved. Well, the English are, but it is such a diverse culture you will get the Spanish and Italian gay guys at the front who are going crazy. I definitely think in America they are much more open and there is more excitement, which is really cool.

DS: How many instruments do you play and, please, include the glockenspiel in that number.

NK: [Laughs] I think the number is limitless, hopefully. I try my hand at anything I can contribute; I only just picked up the bass, really—

DS: –I have a great photo of you playing the bass.

NK: I don’t think I’m very good…

DS: You look cool with it!

NK: [Laughs] Fine. The glockenspiel…piano, mainly, and also the harp. Guitar, I like playing percussion and drumming. I usually speak with all my drummers so that I write my songs with them in mind, and we’ll have bass sounds, choir sounds, and then you can multi-task with all these orchestral sounds. Through the magic medium of technology I can play all kinds of sounds, double bass and stuff.

DS: Do you design your own clothes?

NK: All four of us girls love vintage shopping and charity shops. We don’t have a stylist who tells us what to wear, it’s all very much our own natural styles coming through. And for me, personally, I like to wear jewelery. On the night of the New York show that top I was wearing was made especially for me as a gift by these New York designers called Pepper + Pistol. And there’s also my boyfriend, who is an amazing musician—

DS: —that’s Will Lemon from Moon and Moon, right? There is such good buzz about them here in New York.

NK: Yes! They have an album coming out in February and it will fucking blow your mind! I think you would love it, it’s an incredible masterpiece. It’s really exciting, I’m hoping we can do a crazy double unfolding caravan show, the Bat for Lashes album and the new Moon and Moon album: that would be really theatrical and amazing! Will prints a lot of my T-shirts because he does amazing tapestries and silkscreen printing on clothes. When we play there’s a velvety kind of tapestry on the keyboard table that he made. So I wear a lot of his things, thrift store stuff, old bits of jewelry and antique pieces.

DS: You are often compared to Björk and Kate Bush; do those constant comparisons tend to bother you as an artist who is trying to define herself on her own terms?

NK: No, I mean, I guess that in the past it bothered me, but now I just feel really confident and sure that as time goes on my musical style and my writing is taking a pace of its own, and I think in time the music will speak for itself and people will see that I’m obviously doing something different. Those women are fantastic, strong, risk-taking artists—

DS: —as are you—

NK: —thank you, and that’s a great tradition to be part of, and when I look at artists like Björk and Kate Bush, I think of them as being like older sisters that have come before; they are kind of like an amazing support network that comes with me.

DS: I’d imagine it’s preferable to be considered the next Björk or Kate Bush instead of the next Britney.

NK: [Laughs] Totally! Exactly! I mean, could you imagine—oh, no I’m not going to try to offend anyone now! [Laughs] Let’s leave it there.

DS: Does music feed your artwork, or does you artwork feed your music more? Or is the relationship completely symbiotic?

NK: I think it’s pretty back-and-forth. I think when I have blocks in either of those area, I tend to emphasize the other. If I’m finding it really difficult to write something I know that I need to go investigate it in a more visual way, and I’ll start to gather images and take photographs and make notes and make collages and start looking to photographers and filmmakers to give me a more grounded sense of the place that I’m writing about, whether it’s in my imagination or in the characters. Whenever I’m writing music it’s a very visual place in my mind. It has a location full of characters and colors and landscapes, so those two things really compliment each other, and they help the other one to blossom and support the other. They are like brother and sister.

DS: When you are composing music, do you see notes and words as colors and images in your mind, and then you put those down on paper?

NK: Yes. When I’m writing songs, especially lately because I think the next album has a fairly strong concept behind it and I’m writing the songs, really imagining them, so I’m very immersed into the concept of the album and the story that is there through the album. It’s the same as when I’m playing live, I will imagine I see a forest of pine trees and sky all around me and the audience, and it really helps me. Or I’ll just imagine midnight blue and emerald green, those kind of Eighties colors, and they help me.

DS: Is it always pine trees that you see?

NK: Yes, pine trees and sky, I guess.

DS: What things in nature inspire you?

NK: I feel drained thematically if I’m in the city too long. I think that when I’m in nature—for example, I went to Big Sur last year on a road trip and just looking up and seeing dark shadows of trees and starry skies really gets me and makes me feel happy. I would sit right by the sea, and any time I have been a bit stuck I will go for a long walk along the ocean and it’s just really good to see vast horizons, I think, and epic, huge, all-encompassing visions of nature really humble you and give you a good sense of perspective and the fact that you are just a small particle of energy that is vibrating along with everything else. That really helps.

DS: Are there man-made things that inspire you?

NK: Things that are more cultural, like open air cinemas, old Peruvian flats and the Chelsea Hotel. Funny old drag queen karaoke bars…

DS: I photographed some of the famous drag queens here in New York. They are just such great creatures to photograph; they will do just about anything for the camera. I photographed a famous drag queen named Miss Understood who is the emcee at a drag queen restaurant here named Lucky Cheng’s. We were out in front of Lucky Cheng’s taking photographs and a bus was coming down First Avenue, and I said, “Go out and stop that bus!” and she did! It’s an amazing shot.

NK: Oh. My. God.

DS: If you go on her Wikipedia article it’s there.

NK: That’s so cool. I’m really getting into that whole psychedelic sixties and seventies Paris Is Burning and Jack Smith and the Destruction of Atlantis. Things like The Cockettes. There seems to be a bit of a revolution coming through that kind of psychedelic drag queen theater.

DS: There are just so few areas left where there is natural edge and art that is not contrived. It’s taking a contrived thing like changing your gender, but in the backdrop of how that is still so socially unacceptable.

NK: Yeah, the theatrics and creativity that go into that really get me. I’m thinking about The Fisher King…do you know that drag queen in The Fisher King? There’s this really bad and amazing drag queen guy in it who is so vulnerable and sensitive. He sings these amazing songs but he has this really terrible drug problem, I think, or maybe it’s a drink problem. It’s so bordering on the line between fabulous and those people you see who are so in love with the idea of beauty and elevation and the glitz and the glamor of love and beauty, but then there’s this really dark, tragic side. It’s presented together in this confusing and bewildering way, and it always just gets to me. I find it really intriguing.

DS: How are you received in the Pakistani community?

NK: [Laughs] I have absolutely no idea! You should probably ask another question, because I have no idea. I don’t have contact with that side of my family anymore.

DS: When you see artists like Pete Doherty or Amy Winehouse out on these suicidal binges of drug use, what do you think as a musician? What do you get from what you see them go through in their personal lives and with their music?

NK: It’s difficult. The drugs thing was never important to me, it was the music and expression and the way he delivered his music, and I think there’s a strange kind of romantic delusion in the media, and the music media especially, where they are obsessed with people who have terrible drug problems. I think that’s always been the way, though, since Billie Holiday. The thing that I’m questioning now is that it seems now the celebrity angle means that the lifestyle takes over from the actual music. In the past people who had musical genius, unfortunately their personal lives came into play, but maybe that added a level of romance, which I think is pretty uncool, but, whatever. I think that as long as the lifestyle doesn’t precede the talent and the music, that’s okay, but it always feels uncomfortable for me when people’s music goes really far and if you took away the hysteria and propaganda of it, would the music still stand up? That’s my question. Just for me, I’m just glad I don’t do heavy drugs and I don’t have that kind of problem, thank God. I feel that’s a responsibility you have, to present that there’s a power in integrity and strength and in the lifestyle that comes from self-love and assuredness and positivity. I think there’s a real big place for that, but it doesn’t really get as much of that “Rock n’ Roll” play or whatever.

DS: Is it difficult to come to the United States to play considering all the wars we start?

NK: As an English person I feel equally as responsible for that kind of shit. I think it is a collective consciousness that allows violence and those kinds of things to continue, and I think that our governments should be ashamed of themselves. But at the same time, it’s a responsibility of all of our countries, no matter where you are in the world to promote a peaceful lifestyle and not to consciously allow these conflicts to continue. At the same time, I find it difficult to judge because I think that the world is full of shades of light and dark, from spectrums of pure light and pure darkness, and that’s the way human nature and nature itself has always been. It’s difficult, but it’s just a process, and it’s the big creature that’s the world; humankind is a big creature that is learning all the time. And we have to go through these processes of learning to see what is right.
Retrieved from “https://en.wikinews.org/w/index.php?title=Bat_for_Lashes_plays_the_Bowery_Ballroom:_an_Interview_with_Natasha_Khan&oldid=2584606”

Shoppers World hosts arts event

Saturday, August 27, 2005

Shoppers World in Brampton, Ontario, Canada asks its visitors to “look up, look way up” this October.

The Highway 10 and Steeles Avenue mall is encouraging Bramptonians to paint a ceiling tile for charity this summer, for their upcoming “Looking Up to the Arts” event. The tiles should represent either what Brampton means to you, or the arts in Brampton.

Anyone can paint a tile for the event by buying one at the customer service desk for $5. Once tiles are completed and returned for the event, participants receive a gift certificate for $5. The ceiling tiles must be finished and returned by October 7.

The tiles will be auctioned off at the end of the event, with money going to the Brampton Arts Council.

Local dance, music, theatre and visual arts group will perform and promote at the mall’s event, which will be held from October 12 to 22.

This isn’t Shoppers World’s only celebration of the arts. The mall is the permanent home of the Artway Gallery, a community exhibit space on the west side of the mall. Organized by Visual Arts Brampton, the space allows anyone in the community to exhibit publicly.

This article features first-hand journalism by Wikinews members. See the collaboration page for more details.
This article features first-hand journalism by Wikinews members. See the collaboration page for more details.

Retrieved from “https://en.wikinews.org/w/index.php?title=Shoppers_World_hosts_arts_event&oldid=2584731”

Osho Quotes From Madness To Music}

OSHO QUOTES – From Madness to Music

by

Mohan RaoBELOVED OSHO,WHAT IS THE DIFFERENCE BETWEEN MUSIC AND THE GYMNASTICS OF MUSIC? IN THE LAST COUPLE OF YEARS MY EXPERIENCE HAS BEEN OF FRANTIC NON-HARMONIOUS MUSIC. INSTEAD OF FEELING SILENT AND MEDITATIVE, I AM GETTING TENDONITIS IN MY ARMS FROM DRUMMING.CAN YOU COMMENT?The difference is simple, just the difference between madness and sanity. Your music is not music; it is simply your madness.But to express it directly you will be in trouble. So to express it through music, the trouble is avoided and you will find fools to say, “What a great musician you are!”So on both accounts, your madness is released That helps you. And the appreciation of other mad people, gives you an egoistic satisfaction. But the reality is you are deceiving yourself.Real music is born out of a silent mind.Real music is meditation manifested.Your music is madness manifested.You must have a certain talent for music, but it is being used by madness. You can change; it can be used by your meditation.In the East, the music has a totally different quality. It can even cure people from diseases. It can cure even a madman. It is so silent, so subtle, so delicate. In the East, nobody will recognize your jazz and other kinds of music, as music.A musician works hard, because he has to bring something which is beyond words, but is not beyond music, which cannot be said but it can be played on a sitar. And it is tremendously relaxing, not only for the person who is playing — he completely forgets his ego; only then his music reaches to its ultimate height — but for those who hear it, they also forget their ego. They become simply a listening. There is no listener.You say, “You play drums madly.” That is not music. That is simply throwing up your madness. And of course the world is full of mad people. They will get identified with you; they will enjoy it.Who were the people who were enjoying the Beatles and other music groups that emerged among the younger generation? Who were the people?The Beatles were mad and their fans — thousands of young people — were mostly hippy. Nobody knew anything about music, but they became great heroes. To become a hero in a mad world, you need to be a great madman.If you listen to Eastern music, perhaps it will simply go above your head. First, the Eastern musician just prepares for half an hour or more. He is not yet going into depth; he is just preparing his instrument and himself. And you will be tired by that alone. He is just getting ready to take the quantum leap. Infinite patience is needed.I have heard about Mulla Nasruddin. He went to listen to a great musician, who was just beginning.In the beginning in Indian music, you do aalap. Aalap means he tries to refine all the basic sounds. So he goes on, “Ah-h-h, ah-h-h.” That is, he is refining the sound “ah.” Hence, it is called aalap. He will refine all the sounds; it takes time. And when he is satisfied that now he is ready, then the music begins. But it takes thirty or forty minutes for him.And as he started his aalap, “Ah-h-h, ah-h-h, ah-h,” Mulla Nasruddin started cryng. Tears were in his eyes.His friend who had brought him said, “Nasruddin, I never thought that you were such a lover of music. It is just aalap and you are full of tears.”He said, “You don’t understand. This man is going to die. It is not aalap; this is what happened to my goat! ‘Ah-h-h, ah-h-h, ah-h-h.’ And she died in the middle of the night! You do something to prevent this man.”If music brings death, it is better to prevent him. This is not music. I know perfectly well. It has happened in my own house. I have lost one of my best goats.” But when the musician comes and takes the jump into the world of sound and soundlessness… Music consists of both sound and soundlessness; the better the music, the more it will be full of soundlessness; the better the music, the more the sound simply leads you into silence. That is the criterion of authentic music, that it leads you into silence.DYNAMIC MEDITATION HELPS TO CLEAR MADNESSYour music… Stop it, and start Dynamic Meditation. That is your music. Why unnecessarily beat the drum? The poor drum has done no harm, no harm to anybody.And do the Dynamic Meditation as madly as you can. In fact, the more madly you do it the better, because you will be throwing out all rubbish and you will come out of it clean, just as if you have come from a shower.And you feel that now there is nothing to throw out and your Dynamic Meditation has become silent — even if you want, nothing comes out — then take the drum again. That will be an existential experience. Then you can play the drum, and it will not be madness; it will be music.But first, be ready for music.Music does not come from the drum; music comes from you. The drum only reflects it. Music is just a mirror. If you are mad, the madman is reflected. If you are enlightened, then the enlightened man is reflected.It is good that you have an interest in music, but first please be sane. And don’t feel guilty that you are not sane. This whole world that we have created is insane, and they all are throwing their insanity in worse ways than you are doing.You are at least beating the drum, which is dead anyway. They are beating living people. They are raping living women. They are murdering, they are doing all kinds of crimes around the world. And in spite of all the police, all the courts, all the magistrates, all the laws, the crime goes on growing. It has become almost a way of life for millions of people.So don’t feel bad. In fact, beating a drum is far better than killing a man. But when music can come out of the drum… Just a little preparation is needed. And this is the place of meditation. Meditate a little more, and wait for the right moment when you feel that there is music inside you and you would like to share it with your friends.BELOVED MASTER,I AM A MUSICIAN AND I HAVE COME ACROSS MANY MUSIC TEACHERS OVER THE YEARS. BUT NOW IT SEEMS THAT I HAVE NOT ONLY FOUND A MASTER BUT ALSO THE ULTIMATE MUSIC TEACHER. IS IT PERHAPS THE SAME THING? AND COULD YOU PLEASE SAY SOMETHING TO US ABOUT MUSIC AND MEDITATION?Harisharan, music comes closest to meditation. Music is a way towards meditation and the most beautiful way. Meditation is the art of hearing the soundless sound, the art of hearing the music of silence — what the Zen people call the sound of one hand clapping. When you are utterly silent, not a single thought passes your mind, there is not even a ripple of any feeling in your heart. Then you start, for the first time, hearing silence.Silence has a music of its own. It is not dead, it is very much alive, it is tremendously alive. In fact, nothing is more alive than silence.Music helps you from the outside to fall in tune with the inner. Music is a device; it was invented by the buddhas. All that is beautiful in the world, all that is valuable in the world has always been discovered by the buddhas. Only they can discover because they have traveled the inner country, the inner, immeasurable universe. Whatsoever they have found in the inner world, whatsoever they have experienced in the inner world, they have tried to make something similar on the outside for those who can only understand that which is objective, who are not yet able to enter the interiority of their own being, who are not yet even aware that there is an inner world. Devices can be created on the outside which can help.Listening to great music you suddenly become silent — with no effort. Falling in tune with the music you lose your ego with no effort. You become relaxed, you fall into a deep rest. You are alert, awake, and yet in a subtle way drunk.Once it happened:A great musician came to the court of a king. The musician must have been an awakened master, must have been a buddha. He said to the king, “I will play on my instruments, but you will have to fulfill one of my conditions. Unless this condition is fulfilled I cannot play.”The king said, “Whatsoever the condition is, it will be fulfilled. You say it.” He had never thought what the condition could be: “Maybe he will ask for much money — that can be given easily — or for some other favor which can be given easily.” The king had been waiting a long time for this man.But the condition was very eccentric. The condition was: “While I am playing nobody should move his head. If anybody moves his head, his head has to be cut off. So the audience has to be informed beforehand that people should come knowing that they are playing with fire. If they start moving their heads in tune with the music, then they will lose their heads — make it clear to everyone who comes. And surrounding the audience let at least one thousand soldiers stand with naked swords so everybody remains aware and never forgets.”The king was so interested in hearing the musician — he had heard about him for years and he was not ready to lose this opportunity even at this cost. Of course, whatsoever he was demanding was simply insane, but the king had to agree. He said, “Okay, your condition will be fulfilled.”The whole capital was informed. Thousands of people would have come, but now they were afraid — only one thousand people came to listen to the musician. Even seeing one thousand people come, the king was surprised: “So many lovers who are risking their lives!” And one thousand soldiers were standing with naked swords. Again it was declared, “You have to remember and go on looking at the swords — they are standing for you. Nobody can escape.” And there were people standing who would take notes — whoever shook his head, moved his head, would not reach home alive.The musician started playing, and he was such a master! After only a few minutes, a few heads started moving in tune with the master’s music. The king was very much afraid. He saw heads moving, swaying — people were getting drunk. He himself was afraid for his own head! But a tremendous desire arose in him too, he could not resist it. He himself started moving his head, he forgot all about it. What to say about the audience? The people who were standing with naked swords, many of them started moving their heads and their swords were swaying!The queen was very much worried. She saw that there were going to be hundreds of people unnecessarily murdered. But sooner or later almost everybody was drunk with his music.When he finished in the middle of the night, the people who had to report, they reported that “Not a single soul has remained without swaying, and we are sorry to say that we are also on the list!”The king said, “Now, Master, what do you want? — all these people butchered, murdered? I am also on the list, my wife is also on the list, my whole court is on the list!”The master laughed and he said, “I was waiting for these people. These are the right people for whom I can play. Forget all about the condition! It was just a strategy to prevent those who were not ready to risk their lives, it was to prevent the cowards. These are the people for whom I will play. And not only today — I am going to stay in this town for months together because these are MY people. They have forgotten about their lives, or even if they had remembered they could not resist. The joy was so tremendous that they were ready to go, even with the risk; they were perfectly aware. These are the people for whom I exist because these are the people who can be turned inwards. They were fully aware and yet drunk.”And that is the whole secret of meditation. The paradox disappears — the paradox between drunkenness and awareness. And its first experience can happen in music more easily than in any other place, than in anything else. Music, dance… all these are devices, discovered by great awakened masters. They have fallen into wrong hands.To be a teacher of music is one thing — he can teach you the technique. I am not a teacher of music — I cannot teach you the technique — but I can help you to listen to the inner music, and that is real music.In China they have the saying: “When the musician becomes perfect he throws away his instruments” — because they are no more needed. He can close his eyes, he can turn himself inwards and he can listen to the music that is already there and always there. And when the archer becomes perfect he throws away his bow and his arrows; there is no need for them.Whenever any art is perfect it ends in meditation — it HAS to end in meditation. If it is not leading you towards meditation then something has gone wrong.That’s why much of the modern art is not art, it is insanity. Much modern music is not music; it simply makes you sexually excited. It is just the opposite of real music. Real music helps you to transcend your biology, your physiology, your psychology. Real music takes you to the world of the beyond — what Buddha calls the farther shore, even beyond the beyond.Real music helps you to transcend your biology, your physiology, your psychology.Real music takes you to the world of the beyondGurdjieff used to call real art “objective art.” Modern art is not, in that sense, objective art. In the past the awakened masters have used all kinds of devices: painting, sculpture, music, dance, drama. Every kind of device has been used to help you, because there are different types of people who can be helped in different ways: somebody through music, somebody through painting, somebody through poetry.And that’s my function here: to create a buddhafield, a commune where all kinds of devices are used. But the purpose is one, the purpose is single, one-pointed. All these paths are leading you to the same goal — to your own inner being.Harisharan, you have come to the right place. I am not a teacher of music because I don’t teach you the technique of music, but I am certainly the master of the inner music. I have heard it and I can help you to hear it — not only to hear it but to be it.And to be it is to be for the first time. To be it is to be reborn. To be it is to know what bliss is and benediction is.The Dhammapada: The Way of the Buddha, Vol 12Chapter #4Chapter title: Music comes closest24 April 1980 am in Buddha Hall- Q2For more OSHO Quotes.Kindly visit : http://osho-talks.com

For the First Time ever – Osho’s Complete Life time Collection of Audio / Video Talks Offered together on DVDs and Hard Disks. High quality Audio & Video files at affordable prices.

Article Source:

eArticlesOnline.com

[youtube]http://www.youtube.com/watch?v=iqYfmYrvGfo[/youtube]

}

Apple introduces iPhone and Apple TV

Wednesday, January 10, 2007

Apple Inc. today has introduced the much-anticipated iPhone at the Macworld Conference in San Francisco.

The iPhone is claimed to be “a revolutionary mobile phone” as stated on the Apple website. The device appears to be running a mobile version of the Apple operating system Mac OSX. It is approximately the same size as a 5th generation iPod, it has a 3.5-inch LCD touchscreen display that is used to access all features of the phone including number dial, as well as making phone calls. The iPhone plays music, movies, displays pictures and is able to connect to a wireless network.

Apple CEO Steve Jobs unveiled the device by walking onto the stage and taking the iPhone out of his jeans pocket. During his 2 hour speech he stated that “Today Apple is going to reinvent the phone, We are going to make history today”.

Today Apple also released their Media Center device – Apple TV. It will directly compete with Microsoft’s Media Center operating system. Apple has taken a different approach to the media center market; rather than storing content (such as movies, music and photos) on the device, Apple TV connects to a computer (Mac and Windows) over a wirless network connection and plays all content stored on that computer. This makes it substantially easier for users to organize their media content.

Retrieved from “https://en.wikinews.org/w/index.php?title=Apple_introduces_iPhone_and_Apple_TV&oldid=1731674”

Apple’s iTunes replaces Wal-Mart as No. 1 U.S. music seller

Wednesday, April 9, 2008

Five years after its launch, Apple Computer‘s iTunes downloadable music service in February passed Wal-Mart to become the No. 1 music seller in the United States, according to figures released April 3 by NPD Group, a market research firm.

The firm said more than 4 billion songs had been downloaded from the iTunes store since its launch in 2003 and that as of February, the iTunes store accounts for 70% of all digital music sales. NPD said according to those figures, Apple’s iTunes store passes U.S. electronics retailer Best Buy for the No. 2 U.S. music retailer in 2007.

According to an April 2nd report in Ars Technica, an internal memo at Apple showed the company passed Wal-Mart as the top U.S. music seller Wal-Mart at the beginning of the year. Their projections showed that as of January 2008, Apple’s iTunes held 19 percent of the U.S. music market with Wal-Mart at 15 percent, followed by Best Buy at 13 percent. Rounding out the top five were Amazon.com and Target at 6 percent each.

Retrieved from “https://en.wikinews.org/w/index.php?title=Apple%27s_iTunes_replaces_Wal-Mart_as_No._1_U.S._music_seller&oldid=2470965”

Getting Sound Legal Advice From A Personal Injury Attorney In Suffolk County

byAlma Abell

Unfortunately, whether it’s because of a car accident or the negligence of an employee at a store, personal injuries happen far too often. In some cases, negotiations between you and the at fault party result in compensation, payment for medical treatment, payments for lost wages and property loss. However, not all situations resolve themselves so neatly. In these instances, you may need to look for the services of a Personal Injury Attorney in Suffolk County.

If you find yourself in the market for a Personal Injury Attorney in Suffolk County, there are a few things you want to consider. The first thing you want to do is have a realistic expectation of what a personal injury attorney can provide for you. If you go into every consultation expecting the attorney to tell you that he or she can get you a settlement that will make you extraordinarily wealthy, you may be disappointed. On the other hand, if an attorney tells you that they can garner you a huge settlement without looking at the details of your case, you may be talking to the wrong attorney as well.

You’ll also need to consider how much money you’re going to pay for the personal injury attorney. Many personal injury lawyers work on a contingency basis. This means that they only get a contingency fee if they win your case. However, that doesn’t negate certain costs that the attorney will charge for administrative duties and other things that take up their time when working on your case. You’ll need to understand how much an attorney charges. Find out up front if they charge a flat fee or if they charge per hour.

If you have been injured because of the negligence of somebody else, and if you’re not getting the fair treatment you think you deserve, a visit to Hirsch and Hirsch LLP Suffolk County may be in order. By visiting this law firm you can speak with a Personal Injury Attorney in Suffolk County and explain your situation. The attorney can give you some honest advice about what you can expect from a personal injury lawsuit. They can help you proceed or tell you if should even go the route of bringing a lawsuit against the at fault parties. Visit Hirschandhirsch.com for more information.

CanadaVOTES: NDP candidate David Sparrow in Don Valley West

Friday, October 10, 2008

In an attempt to speak with as many candidates as possible during the 2008 Canadian federal election, Wikinews has talked via email with David Sparrow. Sparrow is a candidate in Ontario’s Don Valley West riding, running under the New Democratic Party (NDP) banner. The riding was set to vote in a by-election on September 22, 2008, following the resignation of John Godfrey, but Stephen Harper’s sudden election call nulled that effort.

Also running in the Toronto riding are Liberal Rob Oliphant, Conservative John Carmichael, Green Georgina Wilcock, and Communist Catherine Holliday.

The following is an interview with Sparrow, conducted via email. The interview is published unedited, as sent to Wikinews.

Retrieved from “https://en.wikinews.org/w/index.php?title=CanadaVOTES:_NDP_candidate_David_Sparrow_in_Don_Valley_West&oldid=4604129”

US Nationwide Pollution Permit Restrictions Upheld

Wednesday, October 4, 2006

The US Army Corps of Engineers decision to place restrictions on issuance of nationwide pollution permits has been upheld by a federal court. In National Association of Home Builders v. Army Corps of Engineers, the District Court for the District of Columbia found that the Corps of Engineers had not acted in an “arbitrary” or “capricious” manner in changing the terms and conditions for issuance of a national pollution permit, including reducing the size of area into which pollutants may be discharged from 10 acres to 1 acre, raising the threshold for requiring additional permits from 1 acre to 1/10 acre,

A nationwide permit allows an organization to engage in certain industrial activities on a national basis (such as mining and construction), reducing the amount of paperwork and filings needed for otherwise minor environmental impacts, as opposed to an ordinary permit for a specific location which will engage in activities which generate water pollution.

Due to concerns over the amount of discharge taking place in waterways, the Corps of Engineers began in the 1980s to reduce the authority granted by nationwide permits and to bar use of the permits in certain ecologically sensitive areas.

Some industry groups, including the plaintiff in the above case, The National Association of Home Builders, sued the Corps of Engineers in 2000 over the change in an attempt to block its implementation. Environmental groups, including the Sierra Club, were given permission to intervene in the case in support of the actions of the Corps.

Environmental groups were pleased with the decision, but are concerned over other actions of the Bush Administration, such as the attempts to weaken provisions of the 2002 Clean Water Act to allow additional dumping of construction and mining waste into waterways as fill material.

Retrieved from “https://en.wikinews.org/w/index.php?title=US_Nationwide_Pollution_Permit_Restrictions_Upheld&oldid=704100”

If Buying Flowers In Charleston, Wv For Delivery Elsewhere; Can I See Them In Advance?

byAlma Abell

There are some unfortunate people who have allergies that can cause them to have to avoid being anywhere near to real flowers; but, for the majority of us, the sight of flowers blooming in their natural glory is a sight that fills us with joy and uplifts our spirits. This is why we so love to cut flowers and take them home to decorate our houses and other places; it is why we use flowers at various ceremonies throughout our lifetimes and even upon our deaths.

Since very few of us can actually grow, all the flowers that we might wish to use; flower sellers have long been a part of the daily commercial scene. Enterprising folk in the countryside would grow and nurture flowering plants of as wide a variety as possible and then, according to the seasons, cut the flowers and bring them into the towns for sale to the population there.

[youtube]http://www.youtube.com/watch?v=n5fKPE_UgGc[/youtube]

As our towns progressed; the flower farms were pushed further out into the countryside; but tended to become larger and would grow their flowers for bulk sales to enterprising people in the towns who set up flower shops or sizeable sidewalk stalls. Up to the early 1900’s people wanting flowers would have to go to a florist and purchase them – what happened next was up to the buyer; take them home for personal enjoyment or personally deliver them to someone else as a gift.

Take Away Yourself; Or, Have Them Delivered

The gift aspect changed when florists hit upon the idea of cooperating with each other so that a customer’s order placed in (say) Charleston, WV could be delivered to a nominated someone at a different location; the continuing introduction of ever more efficient communications systems expanded the scope of such remote deliveries to the point where, today, you can order Flowers In Charleston, WV that will be delivered very quickly to someone located literally anywhere in the world.

Naturally, if the order is for a delivery of flowers for Charleston, WV itself; the florist will send flowers from their own stock and you can go to their shop and judge the quality for yourself. However, flowers from Charleston, WV will not be actually sent when the destination is a considerable distance away; the order will be passed on to another florist (through an organization such as Florists’ Transworld Delivery) who will make the flower arrangement and pass it on to the requested recipient.

The family owned business of Young Floral can provide you with flowers in Charleston, WV and the surrounding area; or, they can arrange deliveries to anywhere else.

Page 156 of 171

Powered by WordPress & Theme by Anders Norén